Every January when I sit down to do some planning for the new year at hand, I usually start by doing three things:.

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This is my list forperhaps the third iteration of it. Things and priorities change during the year. My list for is still being planned!

Number 2 is shocking to me. I have so many beautiful fabrics. I could easily just concentrate on what I have stored away and be totally occupied with those for not just this year, but for several years to come.

However, I know from experience that I will buy new fabrics and already have since January 1! So there. I am admitting I am a hopeless case when it comes to fabric.

Silk sheath dress with envelope collar dress pattern high street

There are too many dreams tied up in some fabrics for me to resist their purchase. I always just hope that the fabrics used from my existing collection slightly outnumber the new ones I buy.

Usually this is the case. Hopefully it will be this year. Number 3 is not always apparent. I do know I will need some dressier things for Springtime events.

I do know my summer will be very casual. And usually Fall and early Winter require some dressier apparel.

I have a big birthday gulp! But I would be willing to bet it will demand a new dress, at the least. And my new Number 4 — now here is a category that really inspires me.

I have so many amazing vintage patterns to try, but I also have so many I have made once or more and love so much that I never tire of making them.

I believe my patterns will guide my sewing this year to a large degree.

Silk sheath dress with envelope collar dress pattern

However, it looks like a great shirtwaist dress pattern. I especially like Views A and D. In fact, View A is my current project. I love everything about the design of this dress: it has a two-piece look, but the skirt is attached to a camisole under the over-bodice.

I love the buttoned back and the front seaming detail.

Silk sheath dress with envelope collar dress pattern

I particularly like the long-sleeved version. Here is another take on a princess-lined dress, with jacket.

20.02.2020 – That allows me time to think about and search for the perfect pattern, time to explore possible dressmaker details for it, and time to savor its beauty. I did not want the belt to take away visually from the rest of the dress, so I made it a modest 1. Where would recommend or find your printed knit? After my purchase of that pattern a couple of years ago, I definitely had second thoughts. It seems this vintage Moygashel linen from the late s, with its bold daisy design is very much in vogue currently, both for its size and its floral motif.

It is not suitable for striped, plaid or diagonal fabrics, which eliminates quite a few of my choices, but I would love to try it. Even better would be to make a dress and jacket….

The line drawings on the envelope back show the seaming details and dart placement. It looks really, really lovely.

I came across a piece of deep pink cashmere last year, and if I decide to make a coat I think it will be View B of this classic coat pattern. And here a few patterns I have used and want to use again.

Most have been fitted correctly although I always seem to tweak one or two little things — and most are versatile and classic and have simple, but elegant, lines to them.

I will definitely be making t his pattern again this year at least once. I know for certain I will be making the short version of this dress again.

I have a dress planned for Spring using it.

I would love to make another bow blouse this year. This classic look from is about as lovely a bow blouse as one can find. A bow blouse would be the perfect pairing with another Parisian Jacket.

A silk blouse with a Parisian Jacket made from vintage Moygashel linen? Finally, ever since I used this pattern years ago, I have wanted to make it again, in a short-sleeved version.

I am hoping this will be the year!

I think I could make either view of this dress over and over and not get tired of it. Much has been said this year about the start of a new decade.

Full of hope and anticipation, the new decade will, nevertheless, do what it will. Welcome ! No doubt you will be gone in a flash, so may we all make the most of your wondrous days, the dressmaking ones and all the others, too.

Filed under Blouse patterns from the ‘sCoatsDay dressesUncategorizedvintage Vogue patterns from the svintage Vogue patterns from the s. Tagged as ‘s Vogue patternsfashion sewingsheath dressSusan Khalje Couturevintage fashionvintage Vogue patterns.

One advantage to this never-ending Winter we are having in the Northeastern part of the United States is the focus — and extra time — it has given me in finishing my Winter projects.

I had thought long about how this dress should be constructed, and not having the advantage of taking a class in such a project, I knew I would have to figure it out on my own.

I decided I would combine classic couture construction with the techniques used for making a classic French jacket. First, I underlined the three pieces of the dress front and two back panels with black silk organza, and I anchored all the darts with a catch-stitch.

I always go back to that sound advice from Susan Khalje — couture is about control — and I know how this extra step helps to keep everything in its rightful place.

Then I machine quilted the two back panels and the dress front just as I would quilt the separate pieces of a French jacket. I ended the quilting about two inches from the tops and bottoms of the pieces and tied off each line of quilting inside between the two layers.

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I figured the quilting did not need to be as closely placed as it is with a French jacket, so my quilting lines are about 2 inches apart. This following photo shows the quilted channels on the inside they are virtually invisible on the fashion fabric :.

The three pieces were sewn together as a Jacket would be sewn with the edges of the lining loose and then finished by hand with a fell stitch.

Sarah in Minneapolis. Having removed most of the blousing, I did not need to anchor the dress to its lining, so I left the lining loose. Silk sheath dress with envelope collar dress pattern In trying to camouflage the zipper, I chose to have a fairly substantial flap of lace on the left, to be snapped in place on the right.

At this point I felt fairly confident that the dress was going together as I had hoped. And yes, there is a lot of handwork involved!

I eliminated the facings and brought the lining up to the neck and armscye edges, as in customary couture sewing. summer print sheath dresses plus size A hemostat is a huge help in turning narrow tubes of fabric like this.

Next I inserted the long back zipper by hand and then finished the neckline and lining with a fell stitch. Because I wanted to apply a length of trim above the bust — to match the trim placement on my jacket — I did the armholes last, as the trim needed to be attached before they were finished.

Finally, the hem.

The length had to be precise, as there will be no lengthening nor shortening of this baby! The final step was to sew the hemline trim on by hand.

I delineated the back vent with the trim to give it some extra interest. Also, although it is not visible here, I angled the edges of the vent slightly to the inside so that when the dress is on, the vent will not gape, but rather hang straight.

This is another one of those lovely couture tricks I learned from Susan Khalje! I have faith that Old Man Winter — who is truly ancient by now — will soon leave us, but not without a fond farewell from Fifty Dresses who appreciated his extra encouragement on seasonal sewing!

Filed under Boucle for French style jacketsclassic French jacketcouture constructionLiningsSheath dressesSuit dressesUncategorized.

Tagged as BoucleChanel-inspired jacketscouture constructionfashion sewingsheath dressSusan Khalje Couturewomen’s dress suits.

Although Fall is undoubtedly my favorite season, I find it the most difficult one for which to dress. And although linen is usually thought of as a Summer fabric, I believe there are some linens which lend themselves beautifully to this time of year.

These are, of course, not lightweight, or handkerchief linens. These are linens with some heft to them, which can be cool to the skin if needed and add some warmth as the sun goes down sweaters help, too!

I was fortunate to find a length of Moygashel linen on eBay several years ago, which seemed to fit this bill, especially in its color combination. What could be more Fall-ish than burnt orange, chestnut brown and deep navy, all set on an ecru background?

Moygashel dress linen was produced in a few different weights. The pink dress I made in early Summer was fairly lightweight; this linen is heavier, but still dress-weight.

That pretty much eliminated the idea of sleeves! However, knowing how warm some of these Fall days can be, I was fine with a sleeveless dress.

And I am an avid cardigan sweater-wearer, so I knew this fabric would lend itself to a pairing with a deep navy sweater.

With that in mind, I went searching through my pattern collection for a sheath dress with something more to it — and here is the winner:. So I was off and running after making quite a few adjustments to the pattern for fit.

I think if I make this pattern again, I will take it in just a bit more, especially in the bust. I considered adding some self-piping to the front seaming detail and around the perimeter of the belt, but I decided against it as I felt that would add too much bulk.

Silk sheath dress with envelope collar dress pattern evening

So instead, I decided to top-stitch those areas. Here is the front center seam detail. I used a light brown thread for the top-stitching.

I had this one lovely pearl button which seemed perfect for the belt with its concentric circle design. I did a bound buttonhole, just what the pattern instructions called for!

Please click on the image to enlarge the print. Silk sheath dress with envelope collar dress pattern And usually Fall and early Winter require some dressier apparel. No time to get photos of me in it yet, unfortunately!

The belt follow the lines of the front bodice. And note those neat shoulder darts. I eliminated the facings and brought the lining up to the neck and armscye edges, as in customary couture sewing.